Viewing entries tagged
mockingjay part 2

Comment

Share

More 'Mockingjay' Details from Francis Lawrence and EW

Entertainment Weekly published a few more tidbits from their recent interview with Mockingjay director Francis Lawrence yesterday (see the scans of the Fall Movie Preview Issue HERE).

 

Having gone through the games one more time and having lost Peeta and having been run through the wringer, she’s even more damaged. So you find her in a more agitated place. She’s distraught, confused, angry.”

Collins’ final book presents a gritty narrative about Katniss’ role in the rebellion to overthrow the Capitol, with grim scenes of wartime brutality as the teen heroine struggles with the psychological consequences wrought by violence. But, says Lawrence, the upcoming installment won’t be entirely somber.

“There’s definitely some battles. There’s some of the first glimpses of real war in this movie. And the scale gets quite big,” he reveals. “There’s an atonal shift from some of the last movies, but they’re still very emotional, very sweeping, [on a] grand scale with some levity and humor.”

“Instead of changing the plot and changing characters what we did was have the opportunity to show scenes that could have been happening at different times in the book,” Lawrence says. “For us it’s world expansion instead of changing things. I think it’s exciting for the fan to see certain things. So we’ve been able to open the world up in this and see some new places. We get to see some new districts this time and the scope gets quite large.”

There’s also the addition of cast member Julianne Moore as rebel President Alma Coin, a character whose role has been expanded for the upcoming films. President Coin—who becomes reluctant allies with Katniss Everdeen in the rebellion’s efforts to overthrow President Snow—was written by author Suzanne Collins through Katniss’s perspective as narrator; she is perceived as ambitious and egotistical. But with Moore’s involvement, Lawrence says, the gray-haired politician’s role in his two-part finale has expanded significantly beyond her portrayal in the bestselling Hunger Games series..

“She actually sort of tracked us down and had an interest in the books through her kids,” Lawrence says. "She didn’t audition. Once we knew she wanted it, that was it—done,” Lawrence says, laughing. “I sat down with her, she had great ideas, we got along and that was it.”

“What’s interesting is although she’s a huge character in Mockingjay the book, there’s actually very little of her in it,” notes Lawrence. “There’s more of her in this than in the book and because of that, there’s some development. I think the character has developed into something pretty amazing. And Julianne was a big part of that.”

But one thing thing that won’t change? That’d be the love triangle between Katniss (Jennifer Lawrence), Gale (Liam Hemsworth), and Peeta (Josh Hutcherson).

“With Mockingjay – Part I it’s tricky because Peeta is out of reach for her,” notes the director. “Obviously he becomes an objective for her, but Gale is right there, so that’s always a tricky situation.”

While Lawrence won’t reveal how he divided the final book in Suzanne Collins’ trilogy (“That’s going to be one of the really good surprises,” he says), he shares that the films will have “two different, very distinct stories.”

“Those objectives became the motives for us,” Lawrence explains. “This is where the meaning of the entire series comes into play. The answer to why these books exist exists in Mockingjay, and that’s really been exciting to me. That’s been kind of what I’ve hung on to through these stories.”

 

Comment

Share

Comment

Share

Eugenie Bondurant is Tigris in 'The Hunger Games: Mockingjay Part 2'

It's official! Eugenie Bondurant has been cast as Tigris in The Hunger Games: Mockingjay Part 2. In the book, Tigris was once a reknown stylist in the Hunger Games and is now a shopkeeper selling fur-lined clothes in a small shop in the Capitol. Her appearance has been surgically altered to resemble a feline. The response to Eugenie's casting has been overwhelmingly postitive and we can't wait to see how they bring this character to life in the film.

Comment

Share

Comment

Share

Francis Lawrence Talks about the Loss of Philip Seymour Hoffman

The Hunger Games: Mockingjay director Francis Lawrence spoke with USA Today about the sudden loss of actor Philip Seymour Hoffman:

The Atlanta cast and crew of The Hunger Games: Mockingjay were devastated when they learned of cast member Phillip Seymour Hoffman's sudden death, says director Francis Lawrence.

"It was obviously very rough for all of us," Lawrence tells USA TODAY. "He was a friend. He was an amazing actor, an iconic actor. He was someone I really looked up to."

On the Atlanta set, filmmakers gave shocked and bereaved cast and crew members time to process their grief. "We shut down for a day to give people time to deal with the sudden shock of it all. And to try and sort of figure things out a little bit," says Lawrence.

After coming back to work, the entire cast and crew gathered for a special moment to pay respects to Hoffman.

"We as a cast and crew definitely honored him," says Lawrence. "We gathered everyone together and had a big moment for him. We still think about him every day. It's hard not to imagine him being here."

"It's something so sudden, so shocking," Lawrence added.

Hoffman starred as head gamemaker Plutarch Heavensbee in The Hunger Games: Catching Fire. The Academy Award winner had been shooting his role in The Hunger Games: Mockingjay, Part 1 and The Hunger Games: Mockingjay, Part 2 in Atlanta. A European shoot was to follow.

Hoffman's death is not expected to affect therelease dates of Mockingjay, Part 1 on November 21and Mockingjay, Part 2 on November 20, 2015.

Lawrence said Hoffman was "mostly finished" with his work on the Mockingjay set.

"There was very, very little that was left. Even if (Hoffman) had a number of days left," says Lawrence. "Most of those moments were appearances in other scenes. Most of his dialogue was done."

Clearly, working with the loss of the key character will lead to some continued difficulties.

"We're still figuring some of that out," says Lawrence.

Comment

Share

Comment

Share

Natalie Dormer on 'Mockingjay' and the "Joy of Being Around Jen and the Boys."

Natalie Dormer talked to Stephen Milton of Independent.ie about being a "hostage" in the recent Atlanta "Snow-apocalypse" in Atlanta while filming Mockingjay. She also spoke a little about working with the cast and shaving her head for the role. Sounds like production will wrap in June:

I anticipate Natalie Dormer will soon regale me with smug woes of sweltering brows and peeling sunburn when she answers her hotel room phone in Atlanta.

"Are you joking," she dolefully chuckles, "we're in a declared state of emergency here. It's 'Snow-apocalypse'. I'm a total hostage."

Admittedly, it's February and the Northern US has been experiencing a 'mild' touch of the Arctic conditions of late. Though one figures the steamy Peach State would escape the chill.

And, turns out, the production team of the new Hunger Games chapter, Mockingjay, was also of the same mind.

"Shooting's come to a complete halt. And I wouldn't mind but I'm now sporting half a shaven head. The need for woolly hats has never been greater."

The cupid bow-lipped siren – initially known for a flounced-up searing portrayal of Anne Boleyn in The Tudors and then, transcending the 16th century for Game of Thrones middle age of yore as Margaery Tyrell, Prince Joffrey's affiance – has flipped the bird to her 'bodiced' typecast by giving half her noggin the blade one treatment for the upcoming role as freedom fighter, Cressida, in The Hunger Games: Mockingjay Part 1 and 2.

Debuting the look at the SAG awards last month, it magnified her feline features, showcasing a comfortable versatility.

And Natalie, who stars alongside Brenda Fricker in this weekend's release, A Long Way from Home, was actually willing to go fully bald for the cause.

"When I got the job a few months ago, it was under the condition that I was going to lose all my hair, which I'd made my peace with. "Thankfully, a U-turn meant I only lost half, which was a huge bonus.

"But it's just a colossal production to be a part of and the joy of being able to get physical and run around with Jen [Lawrence] and the boys, is fantastic and long overdue for me. It's frustrating when you're Margaery Tyrell and the likelihood of getting a sword in your hand is pretty low."

Shooting continues in Atlanta until the end of March, before moving to Paris and Berlin, with a wrap date looking to be around the beginning of June.

Read more from the article about Natalie's roles in Game of Thrones and A Long Way From Home HERE.

 

Comment

Share

Comment

Share

'Mockingjay' Producer Nina Jacobson Tweets About Tigris!

Mockingjay Part 1 & 2 producer Nina Jacobson has been teasing the crap out of us this week and we LOVE it! She already got us totally riled up with her white rose tweet yesterday, and today she pretty much confirmed that Tigris will be a part of Mockingjay (almost certainly Part 2). Tigris is a small but key character and it's great to see that she's going to make it to the screen. No casting has been officially confirmed yet, but I certainly can't wait to see how they bring her to life!

Comment

Share

Comment

Share

Philip Seymour Hoffman Had One "Emotional" Scene Left to Film for 'Mockingjay Part 2'

Philip Seymour Hoffman and Woody Harrelson in Catching Fire

According to The Hollywood Reporter, Philip Seymour Hoffman had one major, emotional scene left to film in the final installment of the Hunger Games series, The Hunger Games: Mockingjay – Part 2. THR spoke with a Lionsgate executive who said, "We’re all extraordinarily sad. But as it relates to production, it’s going to have no impact. Obviously, we're going to have a couple of work-around issues but the movie will be creatively whole. His performances in both [remaining] movies will be up to the best of his craft. We feel it will be a good tribute to him."

Hoffman died tragically on Sunday of an apparent drug overdose.

The Lionsgate executive would not expand on the crucial scene that remains to be shot. But fans can certainly guess what scene it might be. Lionsgate previously stated that the actor had about a week of filming left on Mockingjay Part 2. The final film in the series is set for release in November 2015.

A source with ties to the project said that with the exception of one major scene in the final film, "they seem to have plans that don’t seem very complicated" to complete both pictures without Hoffman. "You can do digital things, you can have conversations where you’re not focusing on him but the people he’s talking to," this observer said.

Rob Legato, a veteran effects supervisor whose latest credit is The Wolf of Wall Street, says he has no specific knowledge about the Hunger Games films but at this point, technology is most likely good enough to generate a convincing image of Hoffman, though some scenes might need to be rewritten. "These days the technology of using someone's likeness is a whole lot easier to do," he said. "I won't say you could generate a Philip Seymour Hoffman with all the acting ability, but you could certainly replicate him for a shot or two."

On a personal note:

The LAST thing we want to do is be insensitive in reporting this information. A man has died tragically which is completely devastating to his loved ones and fans and, obviously, this is the most important part of any story about Philip Seymour Hoffman. We are providing information, which is our commitment to you as a Hunger Games fan site. It's completely natural for people to be curious about what happens next, and we're simply providing that information to the numerous fans who have repeatedly asked us for it.

Comment

Share

Comment

Share

Production Designer Phil Messina On 'Catching Fire' and 'Mockingjay'

The Hunger Games director Gary Ross brought Phil Messina on board as Production Designer, and he is remains with the franchise, creating the world in Catching Fire as well as both Mockingjay movies, currently in production. He recently spoke with FlickeringMyth.com about the films, some of the challenges, and hat it was like working with Francis Lawrence who "has become a dear friend of mine."

How it all started:

Gary called me which was in the middle of night my time and said that he was going on this film called Hunger Games [2012]. I had never heard of it. Gary was probably the most excited about it than I had heard of any one director and he had the script emailed to me. I had to go work in the morning but I read it all night. Suzanne [Collins] was part of the process the entire time so there wasn’t a dichotomy between script and book.  When questions came up in our work about how things were organized or what things should look it we often went back to the book. In fact we still do. I’m working on Mockingjay 1 [2014] and 2 [2015] right now so at the end of this I’ve would have done all four Hunger Games films. I have dog-eared pages of all three books in my office that we’re constantly referring back to try to keep it straight.”

Working with director Francis Lawrence on Catching Fire:

“When I found out about the second film Gary was going to direct it and he was the one who asked me back,” recalls Phil Messina. “When he decided not to do the film it was an odd couple of weeks where Producer Nina Jacobson was persuasive in saying, ‘We want the continuity since we’re bringing in an unknown entity at this point.’ They hadn’t hired a director yet. I was caught by surprise and they were all reacting in real time. I was literally reading the movie headlines a couple times a day to see who was in the lead to do our film. I had not worked with Francis [Lawrence] before nor had any contact with him.  I took our first meeting as if I was interviewing for the job. If Francis wanted to go in a different direction or it wasn’t going to work out personality wise I would have bowed out. We had a wonderful connection and he has become a dear friend of mine.”

Photo courtesy litegear.com

On creating Panem:

“There are a lot of different ways you can go,” explains Phil Messina.  “There is the Star Trek, Star Wars and Oblivion that's high tech futuristic which is an amazing look.  But with ours it was important for it to be accessible, and feel like a world that could easily develop in the not so distant future.  Suzanne described this world as having no satellites or Internet. It’s not so futuristic, but a parallel society that would have developed given a different set of circumstances. That’s what I found interesting in the world. How do things develop if XYZ...? Those are some of the factors that we’re dealing with every day.” Cities don’t grow from one place. What we tried to bring to it was a visual harmony of a singular idea but also things are built at different times. It doesn’t all go up in the same five or ten years. It had developed over a certain amount of time. In Catching Fire we have more of the Capitol shown than in Hunger Games, but in Mockingjay, especially in the second film, it's like being on the streets of the Capitol. We’re using some locations in Europe, especially in Paris and Berlin. We tried to use places that felt architecturally relevant to our film and also felt real. One thing that Francis wanted was to be on real streets; he didn’t want to be on the back lot with fake buildings so we are in a lot of real locations and I find that exciting.”

On the Districts:

“Every district has a specific purpose which has a specific resource that serves the capital,” states Phil Messina.  “Katniss [Jennifer Lawrence] is from the mining district which Suzanne wrote as being in the Appalachian Mountains so we naturally drew from the coal mines from West Virginia." The production designer drew upon his own childhood. “For the textile district I grew up in a mill town called Lawrence, Massachusetts which at the turn of the last century was the textile centre of the world. In Catching Fire when we had to create the textile district for a brief scene I knew exactly where to draw from. The transportation district we used a lot of trains. We tried to stay mostly in the U.S. and not to draw from too many European influences. We tried to make it American feeling. Logging and lumber is from the Pacific Northwest. Suzanne had marked out a map of Panem where each of these resources came from and were based on American history. It became easy to think of the next step and start creating the visuals for them.” (insert personal freak out - WHERE IS THIS MAP??)

On Catching Fire:

"It looks beautiful and the world looks real.  The shot selections were great and it tells a story.” Messina adds, “I’m proud about the work I did with Gary on the first one and I’m proud of the work I’ve done on Catching Fire with Francis. I’ve seen Catching Fire several times already and it’s fantastic. I’m glad to continue to be part of this franchise.”

Read the rest of the really interesting interview HERE. Phil talks more about the Hunger Games weapons, working with CG and shooting in the jungle.

 

Comment

Share

Comment

Share

Catrett Locke Casting Seeking Extras for "Untitled Trilogy"

Mockingjay fan made poster by nikola-nikart

Catrett Locke Casting, the Atlanta, GA casting company responsible for the extras casting of Catching Fire, has issued another casting call for their "Untitled Trilogy" (which we all know is Mockingjay.) Check out what they're looking for and the shooting dates:

Catrett Locke Casting For THE UNTITLED TRILOGY - Seeking ESTABLISHED, DISTINGUISHED, OLDER MALES (so many capital letters) ALL ETHNICITIES who have complete open availability throughout the month of October, beginning October 15th, through November 1st. Ages 35 and up, specifically seeking Character Faces!! If you are interested and available, please submit 3 clear and recent photos of yourself, your height, weight, age, and phone number to CLCTrilogy@gmail.com - Subject: "ADVISORY COUNSEL" 

For UNTITLED TRILOGY - COMMAND CENTER CORE - Seeking MEN AND WOMEN, clean shaven - or willing to shave and cut your hair. Very strict, very uniformed. Military Experience would be spectacular. Ages 18+. You must be PREFIT sometime next week and available to work fromOctober 15th, through November 1st. These dates are subject to change. Please submit 3 clear and recent photographs of yourself, your name, your availability for a wardrobe fitting, your age, your height and weight, your telephone number, and your email address. Submit this information to CLCTrilogy@gmail.com with the subject line "COMMAND" 

For UNTITLED TRILOGY - SOLDIER - Seeking MALES and FEMALES, thin. Military Experience Preferred. Ages 18+. You must be PREFIT sometime this week and available to works from October 7th, 9th and 10th. These dates are subject to change. Please submit 3 clear and recent photographs of yourself, your name, your availability for a wardrobe fitting, your age, your height and weight, your telephone number, and your email address. Submit this information to CLCTrilogy@gmail.com with the subject line "SOLDIER" 

For UNTITLED TRILOGY - 12 YEAR OLD BOY 
Seeking a VERY thin framed 12 yr old boy - works Oct 9th and 10th - if your son fits the description then please e-mailCLCastingKids@gmail.com - include 3 pics (head and body) age, ht, wt and all contact info. Please put WOUNDED in the subject box. 
A briefing from Catrett Locke Casting reports that they're seeking more extras for an "Untitled Trilogy," including Distinguished Older Males, Thin Females & Males with Military Experience, and, very specifically, a "VERY Thin 12 Year Old Boy." Do you fit any of these qualifications!?

(Personally, I'm thinking the 12 year old boy might be the one in the hospital in D8. Just thinking aloud .. - MC)

Comment

Share

Comment

Share

Casting News: Welcome Omid Abtahi as Homes!

It's official: Omid Abtahi has been cast as Homes, a member of the District 13 military and one who joins Katniss and Peeta on the Star Squad! He has been most recently seen in the television drama series Revolution. Kismet?! 

 

Comment

Share