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trish summerville
The Hunger Games: Catching Fire was nominated for 7 Saturn Awards but had only one win at the ceremony on June 26th in Los Angeles. Trish Summerville picked up the award for her epic costume design in the film. Congratulations, Trish! The Saturn Awards are handed out by the Academy of Science Fiction, Fantasy and Horror Films and honor the best of the genre, plus others, in film, television and home entertainment releases.
The Academy of Science Fiction, Fantasy & Horror Films announced the nominations for the 40th Annual Saturn Awards and The Hunger Games: Catching Fire, Jennifer Lawrence, Jena Malone and Francis Lawrence are among them. Catching Fire has been nominated for Best Science Fiction Film and Francis Lawrence also picked up a nomination for Best Director. Jennifer Lawrence is nominated for Best Actress while Jena Malone grabbed a nomination for Best Supporting Actress. Catching Fire also received noms for Best Editing (Alan Edward Bell), Best Production Design (Phil Messina) and Best Costumes (Trish Summerville).
The Saturn Awards will be presented in June.
Best Science Fiction Film:
Ender’s Game
Gravity
The Hunger Games: Catching Fire
Pacific Rim
Riddick
Star Trek Into Darkness
Best Actress:
Halle Barry – The Call
Sandra Bullock – Gravity
Martina Gedeck – The Wall
Jennifer Lawrence – The Hunger Games: Catching Fire
Emma Thompson – Saving Mr. Banks
Mia Wasikowska – Stoker
Best Supporting Actress:
Scarlett Johansson – Her
Nicole Kidman – Stoker
Melissa Leo – Prisoners
Evangeline Lily – The Hobbit: The Desolation of Smaug
Jena Malone – The Hunger Games: Catching Fire
Emily Watson – The Book Thief
Best Director:
J.J. Abrams – Star Trek Into Darkness
Peter Berg – Lone Survivor
Alfonso Cuaron – Gravity
Peter Jackson – The Hobbit: The Desolation of Smaug
Francis Lawrence – The Hunger Games: Catching Fire
Guillermo del Toro – Pacific Rim
Best Editing:
Peter Amundson, John Gilroy – Pacific Rim
Alan Edward Bell – The Hunger Games: Catching Fire
Alfonso Cuaron,Mark Sanger – Gravity
Mark Day – About Time
Daniel P. Hanley, Mike Hill Rush, Christian Wagner, Kelly Matsumoto, Dylan Highsmith – Fast & Furious 6
Best Production Design:
Dan Hennah – The Hobbit: The Desolation of Smaug
Philip Messina – The Hunger Games: Catching Fire
Andrew Neskoromny, Carol Spier – Pacific Rim
Andy Nicholson – Gravity
Jan Roelfs – 47 Ronin
Robert Stromberg – Oz The Great and Powerful
Best Costume:
Gary Jones – Oz The Great and Powerful
Michael Kaplan – Star Trek Into Darkness
Wendy Partridge – Thor: The Dark World
Beatrix Aruna Pasztor – Great Expectations
Penny Rose – 47 Ronin
Trish Summerville – The Hunger Games: Catching Fire
Catching Fire costume designer Trish Summerville shared a great behind the scenes set photo of Elizabeth Banks as Effie on her instagram yesterday.
Banks is wearing what they called Effie's "Snow Queen" outfit and looks like she's ready to head to the set.
Summerville is up for a Costume Designer's Guild Award for Catching Fire tonight. Good luck, Trish!
The Costume Designers Guild Awards are coming up on Saturday, February 22nd (tomorrow!) and Jarrett Wieselman from Buzzfeed spoke with Trish Summerville (nominated for Excellence in Fantasy Film) about her favorite costume from The Hunger Games: Catching Fire.
Who: Trish Summerville
What: Johanna Mason’s District 7 Tribute
When: The Hunger Games: Catching Fire’s chariot scene
Where: Custom-made
Why: Because Johanna has to make an immediate impact and isn’t given pages of dialogue to do so, Summerville had to ensure the character’s clothes spoke volumes. “She had to project a strong sexuality and she had to have this attitude because she’s a previous victor,” Summerville said. “She knows the game and she spends a lot of time in The Capitol, so she’s schooled and aware and knows the drill. She knows she’ll be paraded about, she knows people need to fear her, and be intimidated from the get-go.”
A task made infinitely more difficult since, in this scene, Johanna had to represent lumber, District 7’s chief industry. “Whenever you hear, ‘Dress someone like a tree,’ you think of a school play,” Summerville said, laughing. “I wanted her to be more like a streamlined, threatening warrior. That’s why I did her in a bodysuit and not a dress because she doesn’t have a feminine soft quality.”
Johanna's chariot costume is currently on display at the FIDM Museum in Los Angeles. Photo by Joe Kucharski/Tyranny of StyleTo create the killer couture (which is only seen from the waist up in the final film), Summerville incorporated pieces of actual bark into a tightly constructed leather corset, which was accented with three-dimensional green paint. That was paired with Eddie Borgo bracelets that resembled thorns, and Alexander McQueen boots that had vine detailing down the heel. “All of those pieces worked so well together,” she recalled. “Johanna’s dramatic and, in her mind, thinks she’s the tribute who stands out the most in that moment.”
Wiseman talks to 16 other nominated costume designers from tv and movies in his article HERE.
The 15th Annual Costume Designers Guild Awards will be held on Saturday, February 22nd, 2014 at the Beverly Hilton Hotel in Beverly Hills, California.
You can see Johanna's costume on display at The Art of Motion Picture Costume Design Exhibit at the FIDM Museum in Los Angeles through April 26th.
Bart Mueller, left, and Kurt Swanson. Photo by Taylor Hill/Getty Images
Lionsgate has confirmed that costume designers Bart Mueller and Kurt Swanson will head the Mockingjay films' costume design, succeeding original franchise designer Trish Summerville. Summerville chose to work on the film adaption of David Fincher's Gone Girl instead of completing the Hunger Games series, Summerville's rep confirmed to The Hollywood Reporter.
Although the design duo wouldn't reveal any details to the project, they did express being "so excited" when reached via email.
Mueller and Swanson are nominated for a Costume Designers Guild Award for their recent work on the Matthew McConaughey- and Jared-Leto-starring Dallas Buyers Club. "With such committed actors, we really loved being part of bringing these characters to the screen," expressed Mueller and Swanson about their nomination. The fact that it’s getting so much attention and that people are seeing this movie is really rewarding. The CDG nomination is icing on the cake. "
They've previously worked on Britney Spears' "Lucky," "Stronger" and "Slave 4 U" music videos, and also designed the look of HBO's fashion industry-focused How To Make It In America.
Trish Summervile and one of President Snow's suits. Photo courtesy The Hollywood ReporterNominees for the 16th Costume Designers Guild Awards, which celebrate excellence in film, television and commercial costume design, were announced today, and Trish Summerville has been nominated for Excellence in Fantasy Film for The Hunger Games: Catching Fire! The winners of the seven competitive awards will be revealed at the gala on Saturday, Feb.22 at the Beverly Hilton Hotel. Congrats and best of luck, Trish!
EXCELLENCE IN FANTASY FILM
Trish Summerville poses with the Net-A-Porter Mockingjay dress and costume designer Michael Wilkinson (American Hustle). Photo by Joe Pugliese
Costume designer Trish Summerville revealed some of the inspiration behind the looks she created for Catching Fire in a recent THR.com article.
Trish Summerville and one of President Snow's suits. Photo by Joe PuglieseSummerville jumped from styling music stars (Pink, No Doubt) to big-budget movies in 2011, when she nailed the punky garb for David Fincher's The Girl With the Dragon Tattoo, for which she won a Costume Designers Guild Award. Now she's gone futuristic for The Hunger Games: Catching Fire, with jaw-dropping ball gowns for Katniss Everdeen (Jennifer Lawrence), Cerre leather moto jackets for Peeta (Josh Hutcherson) and hyper-designed Alexander McQueen dresses (including one with trembling butterflies) for Effie Trinket (Elizabeth Banks). The biggest challenge? Outfitting the Games contestants, who all are in unitard-like sweatsuits that had to fit 24 different body types ranging from age 19 to 79. Says Summerville, "The shoes also had to be things they could swim in and run on lava rock."
Avox on set. "My tribute to JPGaultier" says Trish SummervilleThe Hunger Games: Catching Fire costume designer Trish Summerville has been sharing some amazing Catching Fire set photos and behind the scenes snaps on her instagram recently. Make sure to follow her for the latest!
Johanna's full costume from the famous elevator scene
Josh Hutcherson costume fitting
Effie's First Fitting
Shoes for Dist 5 - Dist 12
Inspiration for the mockingjay dress
Effie's House of Worth Fan Dress
Effie's Iris Van Herpen Carbon Fiber Fang Shoe
Morphling camo costume
The Hunger Games: Catching Fire costume designer, Trish Summerville talked to The New York Times about her inspiration behind Katniss' and Effie's costumes in the movie. She also gives us some insight into how she designed Peeta's looks and, sigh, it's all for love:
Katniss Everdeen as fashion’s It Girl? That’s how the costume designer Trish Summerville imagined the teenage warrior portrayed by Jennifer Lawrence in The Hunger Games: Catching Fire: As a previous victor, she must be camera-ready as Panem prepares for the 75th games.
“Considering how the Capitol and Panem ingest and digest capitalism and consumerism, and all the parties and galas they go to, they change fashions more quickly than each season,” she said.
Katniss’s outfits — gowns of feathers, accessories in rough-hewed fibers — indicate her ascent in the Capitol while evoking her home in the impoverished District 12. Her male comrades, Peeta and Finnick, received magnetic, matinee-idol looks. And dressing Effie Trinket required tapping Alexander McQueen and House of Worth for statement pieces, including shoes that forced Trinket literally to stay on her toes.
For her grand entrance to the 75th Hunger Games kickoff, Katniss dons a fantasy wedding dress by the Jakartan designer Tex Saverio — the one she might have worn had her nuptials to Peeta not been quashed by the games.
Illustration by Tex Saverio “I wanted to have a subliminal feel of flames and feathers to keep her the Girl on Fire while also representing the Mockingjay,” Ms. Summerville said. Mr. Saverio’s froth of layered organza features a flame-inspired silver corset and fabric peacock feathers sprouting at the waist. As Katniss twirls, the gown erupts, and an iridescent Mockingjay dress rises from the ash. Using images of a mockingbird, blue jay, pheasant and peacock, Ms. Summerville worked with an illustrator and graphic designer to create patterns of feathers and wings, which she then had printed on chiffon and built into the Mockingjay dress.
Katniss wears a one-shouldered, cowl-neck sweater vest, almost like a shield, over her father’s leather coat. The piece, made by Maria Dora, a Los Angeles knitwear designer, is meant to see Katniss through summer, spring and winter.
“I wanted to bundle her up a bit and give her something that had a feel of the Capitol,” Ms. Summerville said, “but still with keeping in those nubby, big natural fibers — something, say, her mom could have made for her.” Like a security blanket, the piece accompanies Katniss on her hunting expeditions and even to bed on the Victory Tour. “It’s trying to marry both sides of her duality,” Ms. Summerville said, “having her heart at home but also fitting into the Capitol world without selling out.”
“This time around we made Peeta’s character much more masculine,” Ms. Summerville said. She laughed as she recounted meeting Josh Hutcherson, the actor who plays him, and saw how athletic he was.
“I was like, ‘We have to dude you up.' ” Using jackets and more structured pieces that amped up his already muscular physique, she accentuated his rapid maturation between the first and second films, and hinted at the emotional and sexual allure that drew Katniss to him initially. Ms. Summerville used a lot of subdued greens in Peeta’s wardrobe “because Katniss’s favorite color is green,” she said, “so subliminally, he’s always trying to woo her.” (!!!)
When the Capitol escort Effie Trinket (Elizabeth Banks) returns to District 12 for the 75th reaping, she is adorned with monarch butterflies — on her dress, an actual Alexander McQueen couture design; her hair; even her eyelashes.
“In her mind, it’s springtime,” Ms. Summerville said. “Her chrysalis has turned into this butterfly, she gets to come out again, she gets to see the kids.” She wanted Effie to look uncomfortable. “I think it’s her penance to herself,” she said, explaining that Effie loves all the grandeur, but that “she’s also really conflicted about her role in calling the kids up for the reapings.” Effie’s waist is cinched a little too tightly, her heels are a little too high, and her clothes are nearly impossible to sit in.
Staci Wilson spoke with Jennifer Lawrence and Francis Lawrence at a recent red carpet event about Costume designer Trish Summerville and the costumes in The Hunger Games: Catching Fire.
Staci Wilson: Are there even more outrageous fantasy costumes in the new movie?
Francis Lawrence: Yeah, there's a lot. We brought on a fantastic costume designer, Trish Summerville, who I'd worked with before in music videos. She came from a fashion and styling background so we brought her on and she did loads and loads of great stuff. I mean, there's some really amazing dresses that Effie wears, and Trish even got some Alexander McQueen museum pieces for Katniss to wear in the chariots, and for the interviews, [not to mention] the wedding dress and the Mocking Jay dress. So to answer your question: there's loads of fun costumes in this!
Q: How much input do you have in something like that, with the costumes?
Francis Lawrence: A lot. But it all sort of starts with me wanting to bring Trish on, so you know, I know the kind of level of taste and sophistication that she brings, and so that's making a big decision right there. And then in the early conversations with her, talking about certain kinds of things that we both like that we thought that we could use. Someone as talented as she is, I kind of let her run with it and then just make little changes, specifically if it has to do with story.
Q: Or practicality.
Francis Lawrence: Yeah. Well, sometimes practicality. That gets tricky. The wedding dress was pretty impractical. Jen was falling a lot in it.
Jennifer Lawrence: Yeah, the wedding dress was incredible, it's stunning and unbelievable. I'm not good with big dresses, and stairs. I didn't know that until afterwards, I wish I would have known! [laughs]
Catching Fire costume designer Trish Summerville sat down with Allie Merriam from PopSugar right before her big night at the 2013 Style Awards to talk Catching Fire and the Capitol Couture capsule collection for Net-A-Porter. (FYI, Trish was honored at the awards as Costume Designer of the Year In Film - see pics here).
Catching Fire costume designer Trish Summerville received the Costume Designer of the Year Award for film at last night's 10th Annual Style Awards, which kicked off Mercedes Benz Fashion Week in New York City.
Here's what she had to say about her favorite pieces from Catching Fire:
“Probably the two pieces are Johanna’s chariot costume and also Katniss’ [at] President Snow’s gala; the Victory Tour party costume. It’s embroidered in the shape of feathers and flames. And then Johanna’s chariot costume is a bodysuit that has three-dimensional printing on it, and a leather corset inspired by — because she’s from the lumber district — so the corset looks like a tree. We literally took pieces of bark off of a tree and headed to a printer to have them scan it and make all of the pieces look like bark.”
Thanks to HG Girl On Fire for this info!
Want to wear the couture creations of Catching Fire costume designer Trish Summerville? Well, it's not going to be cheap. Luxury online retailer Net-A-Porter has just announced and exclusive collaboration with Trish Summerville and Lionsgate to launch a capsule collection of 16 pieces, as well as leather goods and jewelry, inspired by the movie. The line will launch this fall in time for the November 22nd premiere of The Hunger Games: Catching Fire.
From the press release:
NET-A-PORTER celebrates the hotly anticipated release of The Hunger Games: Catching Fire with an exclusive capsule collection inspired by the movie. Created by the film’s multi award-winning costume designer Trish Summerville, Capitol Couture features laser-cut leather, streamlined silhouettes and dramatic eveningwear.
"I am extremely proud of the designs that we created for 'The Hunger Games: Catching Fire' and there's no partner more appropriate for 'Capitol Couture' than the world's most cutting-edge luxury retailer," Summerville said. "I can't wait to share it with the public through this exclusive partnership with Lionsgate and NET-A-PORTER."
Holli Rogers, Fashion Director, NET-A-PORTER.COM, stated, "When we were approached by Lionsgate to offer the collection by Trish Summerville to our customers exclusively, we jumped at the chance. Our customers take their style cues from myriad sources, from the latest runway shows and street trends to TV and film. Fashion plays an important role in The Hunger Games series and is especially prevalent in Catching Fire, and fans of the franchise will see the film reference in the collection. This is also brilliant fashion in its own right, and we're delighted to provide our customers with the chance to purchase limited-edition pieces designed by one of the most original costume designers in the industry today."
Tim Palen, Lionsgate's Chief Marketing Officer, said, "In the world of The Hunger Games, one of the ways the Capitol defines itself is through fashion. When we launched Capitol Couture online (capitolcouture.pn), it took off and quickly became an out-of-world experience for both fans of the franchise and those obsessed with the future of fashion. Trish Summerville's Capitol Couture collection for NET-A-PORTER is a brilliant, elegant and chic extension of this effort."
Sign up at Net-A-Porter for updates.
Just make me a pair of those Effie Trinket slinky glove/bracelets, please!
Image Credit: Murray Close; (inset) Larry Busacca/Getty ImagesCatching Fire costume designer Trish Summerville talked with EW about everything from her influences and start in the biz to "bumping up" the Peacekeepers uniforms in Catching Fire.
From EW:
Having made a name for herself as a celebrity stylist for artists like Christina Aguilera and Pink, Summerville transitioned in costume design in 1996, working as an assistant on films like The Long Kiss Goodnight and the David Fincher thriller The Game. In 2011 Summerville got her big break when Fincher chose her to head up the wardrobe department on The Girl with the Dragon Tattoo — a job that led to a deal with Swedish retailer H&M for a clothing collection based on the look of female protagonist Lisbeth Salander.
Most recently, Summerville created the wardrobe for Showtime’s Ray Donovan and took on the task of pulling together the couture-inspired costumes for The Hunger Games: Catching Fire. EW sat down with the designer to ask her about what’s on her inspiration board, her favorite Catching Fire costume, and the look that launched her career.
Entertainment Weekly: How have the past 18 months or so been for you?
Trish Summerville: [It's] been a little hectic. I guess I kind of went from Dragon, which I was on from start to finish — including the H&M line — almost 18 months, and from that right into doing the pilot for the Showtime show Ray Donovan, which I just got to see. They had a screening and a premiere, and it was a great time. It looks really good. I’m really excited. And I kind of went from that into Catching Fire. It’s been great, it’s been a lot of work but I like to work a lot, so it’s been really nice. It’s been a really great whirlwind and I feel really, really fortunate because the last few projects that I’ve been on, even though they’ve been a bit challenging at times, I feel really fulfilled, and I’ve gotten to work with such a great group of people. Especially when you look at all of the directors and actors involved.
Who are your inspirations these days?
There are some designers that I really, really love and am inspired by, and aren’t always applicable for things. For the last, I guess it’s almost two years, I’ve been really obsessed with Iris van Herpen. The stuff she does is so groundbreaking and technical, and architectural, that she really just blows my mind. And she’s so young. The techniques she comes up with and all this 3-D fabrication she’s doing, and holograms, and just the materials that she’s using, and the structure that she does, the applications, and the shoes. I just think she’s really phenomenal. She did a pair of shoes she called the Fang Shoe, which I was obsessed with. I know she just did a water dress, but there was quite a bit before that.
Was there one look you created that you would say changed everything for you?
One of the funny ones, I guess, that got talked about was the David LaChapelle video for Christina Aguilera’s ”Dirty.” [The chaps] got a lot of attention. And it was just so funny because everyone kept calling them “ass-less chaps,” but in general, chaps don’t have a bum. Good or for bad, that definitely got a lot of attention. When I look at what I think was kind of pivotal, it’s Lisbeth Salander’s look from The Girl With the Dragon Tattoo. I wanted it to be really authentic and it was very genuine, as opposed to when you do a lot of music stuff it has a lot of flash, it has to make a statement and be bold. Whereas what I really enjoy about film is that you have this character development. It’s about those authenticities of what that character would really do and how they function every day in life. It’s not just about fashion. Like with Lisbeth, we went fully for function, the function of her clothes and what she could find, and how she would really wear it in her life. You know, the drop-crotch pants with the tight-fitted leather jacket, the fingerless gloves, and the taped-up combat boots. I think was a really iconic look.
What was the last look that you designed?
The last thing I designed would have been, I guess in Catching Fire, some of the looks in that are pretty intense, very colorful, so that was great fun because it took me completely into another world that’s not particularly my aesthetic. I like a lot of muted tones and unsaturated, washed out… and that was great because it propelled my mind to think in a really different manner because it is quite over the top. It’s kind of futuristic, but it’s not sci-fi on any level. It’s really bold and really colorful and quite campy at times, then it gets really serious. I tried to bring a little bit of darkness to it, you’re seeing a world that was already created in a book. You want to try to be really respectful to the writers, and you want to be respectful to the fan base, but then you also have to figure out what works visually and what you can bring to it as well. [And] I did the second installation so there’s certain things you want to be respectful about for the characters from the first one, but then also show a period of growth and transition.
I love the Peacekeepers that I did. I wanted to make them look a little more menacing, kind of insect-like. I draw a lot in my inspiration boards from different projects, a lot from nature, and animals, and insects. I just think that there’s so much there, in silhouettes and colors. The colors, they’re amazing, when you look in the insect world, and at in animals and nature. I wanted to make these Peacekeepers… after the first film, I felt like they needed to be bumped up a bit, because of what was going on in the second film with the rebellion that’s starting. I felt that we needed to show a transition, that the Capitol is stepping up its forces and making it much more intimidating and fearsome. So I went for this sort of spiny, praying mantis sort of look for them.
About your inspiration board, can you tell me what kinds of things are on it and how they inspire you?
For each project I do a new inspiration board. For Catching Fire I think we had probably 30, 40, 60 inspiration boards, because I did them for every district and every kind of character we had. On my personal board I have some photographs of native Americans, the Maasai tribe up, which I love, the east Indian painted elephants used for weddings and ceremonies.
What are you working on next?
I’m working on a movie, hopefully next year. It’s under wraps still. I’m crossing my fingers it’s shooting in [Los Angeles], which would be amazing. I live in Los Angeles. I hear the talk of Old Hollywood and how everything was shot here, but now so much stuff is shot outside of town.
Read the rest of the article at EntertainmentWeekly.com
Catching Fire costume designer Trish Summerville posted 2 behind-the-scenes photos to her instagram account yesterday. It's fascinating to see the incredible volume of costumes they were working with on the film. They were taken this time last year when they were setting up for Catching Fire in Atlanta.
Follow the amazing Trish Summerville on instagram at @mztsummerville and twitter at @MzTSummerville.
The day we've all been impatiently waiting for is here!! It's Catching Fire trailer premiere day!! Today, the cast of Catching Fire will sit down at 1:35 in Hall H for a panel moderated by Dave Karger from Yahoo Movies. Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Willow Shields, Jena Malone, Lenny Kravitz, Jeffrey Wright, and Francis Lawrence will take the stage to answer YOUR questions, submitted with the hashtag #CatchingFireComicCon.
During the panel, Yahoo Movies will have the exclusive premiere of the Catching Fire trailer on their website at 2:15pm PT/ 5:15pm ET.
Right after the Catching Fire panel, Willow Sheilds, Jena Malone and Jeffrey Wright will be signing autographs at the Lionsgate booth (4029 B).
Then, at 3:30pm PT/ 6:30pm ET, MTV will live stream an interview with Josh Horowitz and some of the Catching Fire cast members. Specific cast members not confirmed yet.
That's not all! Catching Fire costume designer Trish Summerville will delve into Catching Fire fashion at the panel, "Poppin' Some Tags" 4:30pm PT in Convention Center Room 24ABC. She'll sign autographs after the panel at 6:00pm PT in Autograph Hall.
Tweet us your pics from Comic Con and we'll share them @panempropaganda!
Important links: Yahoo Movies, MTV
Catching Fire costume designer Trish Summerville
Also appearing at Comic Con on is Phillip Boutte, the costume illustrator who did the concept designs for Catching Fire we told you about HERE. Phillip is part of a panel called "Welcome To The New Age" discussing the changing world of illustration in the digital age:
Thanks to HungerGamesTrilogy.net for the tip!
Frocktalk recently spoke with Phillip Boutte, a costume illustrator who worked with costume designer Trish Summerville on The Hunger Games: Catching Fire. Boutte took Summerville's costume designs and used a hybrid of different mediums (hand drawing, photoshop, Corel painter and ZBrush) to make a rendering of the costume designs:
I can take a fitting photo of something and make it look the way it’s supposed to look. Through photo manipulation and painting, I’ll do my sketch in the computer – I’ll directly sketch into the computer instead of using a pencil – and then I’ll start to fill in actors’ faces, block in big shapes, block in a basic silhouette and start to draw, based on the specifications of what the designer has given me. From that point, you can make things look a lot more real.
Boutte didn't give us any new information about Catching Fire, but he did provide a look at some of the costumes. And they are all labeled by scene so we can see how they correspond to the Catching Fire movie stills and screencaps from the trailer. You can read the full article HERE.
