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Tim Palen

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Lionsgate-Summit Marketing Shake-up: Tim Palen Now Head of Lionsgate, Summit & Pantelion Theatrical Marketing

Image courtesy The Hollywood ReporterAccording to The Hollywood Reporter, Lionsgate marketing chief Tim Palen will now oversee all theatrical marketing for Lionsgate, Summit, and Pantelion with the late April departure of studio executive Nancy Kirkpatrick. Tim Palen is the maverick marketing chief responsible for all of The Hunger Games films' marketing campaigns. He even photographs the campaigns himself (read more on Tim Palen and the Catching Fire marketing campaign here):

When Lionsgate bought Summit two years ago, their respective marketing operations were kept separate in order to service Summit's remaining stable of films. Kirkpatrick continued to serve as worldwide president of marketing for Summit, while Palen continued to head up marketing for Lionsgate.

Upon Kirkpatrick's departure, Palen will have oversight of Lionsgate and Summit titles, as well as Pantelion Films. He'll also have expanded merchandising and theme park duties.

Among other Summit properties, Kirkpatrick ran the marketing campaigns for the blockbuster Twilight franchise. More recently, she successfully launched Divergent, the first title in a new Summit franchise.

“Now was the right time to take the next step in integrating the marketing departments of our Lionsgate and Summit film labels as we continue to achieve significant operational synergies following the acquisition of Summit Entertainment two years ago,” said Lionsgate Motion Picture Group co-chairman Rob Friedman and Patrick Wachsberger.

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The 'Mockingjay' Team on Marketing and Plans for the Next Two Films

Variety just posted a great article on the Mockingjay films. They spoke with Lionsgate's head of marketing, Tim Palen, producers Nina Jacobson and Jon Kilik, production president Erik Feig, and director Francis Lawrence on everything from the marketing plan to European shooting sites. Read on:

“When we started, we decided to look at this as one big movie that’s eight hours long,” notes Tim Palen, the architect of Lionsgate’s marketing effort. “Otherwise, it’s going to be kind of overwhelming to do a new campaign for each movie.”

Palen admits the bar is set higher for the Mockingjay movies than for the first two pics — even though foreign box office jumped by more than 50% (to $450 million from $283 million) from the first to the second pic.

“A big part of the second film was growing the franchise, and the greatest potential was international,” he says. “We did a major presentation to distributors in Cannes, and did six premieres outside the U.S. And we still have room to grow. We’ve matched Iron Man 3 on domestic, but we can do better on international.”

Mockingjay: Part 1, which hits theaters Nov. 21, takes place in a location far different from the world of Suzanne Collins’ first two books — and the first two movies in which Jennifer Lawrence’s Katniss Everdeen battles through two versions of the gladiatorial Hunger Games. In the coming film, Katniss becomes the poster child of a massive rebellion in a world on the brink of war.

In his promotional materials, Palen used the iconic mockingjay image from the The Hunger Games book covers for the first film as a symbol of freedom and for the second with the pin ablaze. In the third image, the bird is breaking free and taking flight — reminding fans of what they liked about the first two movies and hinting at what’s to come.

Director Francis Lawrence ended Catching Fire with a shot showing a spark in Lawrence’s eyes, followed by the rebels’ mockingjay logo. “It was a great way get from one to the next eloquently and elegantly,” Palen notes.

There will be reveals of the campaign in May at the Cannes film festival and in July at Comic-Con. Until then, Lionsgate is trying to keep specifics under wraps, though director Lawrence allows that the next two films take place in a Panem so devolved as to be barely recognizable.

Much more after the jump!

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'The Hunger Games: Catching Fire' Marketing Campaign - Suzanne Collins Approves!

The Hunger Games: Catching Fire made the cover of the October 29th issue of Variety. The issue has loads of new photos and an article on how The Hunger Games changed Lionsgate, Jennifer Lawrence, and what the future brings for the franchise and the studio. Check out that article and photos HERE. Variety has another really interesting article about Lionsgate CMO Tim Palen and the innovative marketing campaign he's spearheading for Catching Fire. Oh, and the coolest thing about it? Suzanne Collins approves.

From Variety.com

Just as The Hunger Games author Suzanne Collins introduced a dystopian world that entranced millions of readers and moviegoers, so Lionsgate’s marketing chief Tim Palen has brought that universe to life in an elaborately detailed campaign for The Hunger Games: Catching Fire that goes beyond traditional movie posters, billboards, trailers and websites to establish a unique realm of its own.

Palen’s innovative ideas — not the least of which was setting the book’s iconic mockingjay logo ablaze — helped propel the first of four planned Hunger Games movies to nearly $700 million in global ticket sales. He’s now taken the marketing narrative and imagery to a new level in hopes of broadening the audience for the upcoming Nov. 22 release beyond teens and tweens to the faith and family crowd, Hispanics, African-Americans, fashionistas, even seniors.

For Palen, whose soft-spoken, understated demeanor defies a fierce, tattooed marketing warrior with a meticulously plotted battle plan, Catching Fire has unleashed the 51-year-old’s creative ingenuity, and he’s seized the opportunity to tell a bigger, more color-saturated story through provocative visuals, bringing a complimentary world to life that has connected with Collins’ rabid fan base.

“This was dramatically different from anything we did on the first movie,” Palen says. “It was brave of the filmmakers to agree we should be that bold.”

During the year-long campaign that launched last November, Palen went so far as to create a faux online fashion magazine, dubbed Capitol Couture, modeled after luxury publications like DuJour, Gotham and Ocean Drive, built around the ultra-rich and style-obsessed capitol city of Panem, the fictional nation in the bestselling author’s trilogy of young adult novels. The mag features manufactured articles curated by freelance journalist Monica Corcoran Harel, and photos of the film’s characters that reveal their elaborate look, shot by Palen himself.

With Palen crafting the images and message, Hunger Games is well protected. He’s as much of a fan of the franchise as the teens and tweens who made the original film a hit, and passed the books on to their friends and family. Collins has a loyal friend in the marketing topper.

“I’m thrilled with the work Tim Palen and his marketing team have done on the film,” Collins told Variety via email. “It’s appropriately disturbing and thought-provoking how the campaign promotes ‘Catching Fire’ while simultaneously promoting the Capitol’s punitive forms of entertainment. The stunning image of Katniss in her wedding dress that we use to sell tickets is just the kind of thing the Capitol would use to rev up its audience for the Quarter Quell (the name of the games in Catching Fire). That dualistic approach is very much in keeping with the books.”

Pretty much every element of the sequel’s campaign is bolder than its predecessor. Where the first installment relied on a more subdued look to capture Collins’ bleak, oppressed world, Palen and the author felt this was his chance to brighten things up.

“This is the book and the movie of color,” he says, having consulted closely with Collins before designing the campaign. “This is the moment where we can actually have some fun and explore some opportunities that we might not get to have later,” he added, referring to the final book in the Hunger Games series, which Lionsgate is splitting into two movies, Mockingjay — Part 1 and Part 2.

Read on about Palens's inspiration for some of the photo shoots and SO much more at Variety.com

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New Peeta Portrait & Lionsgate CMO Tim Palen Talks 'Catching Fire' Marketing

Peeta Mellark Photographed by Tim Palen

Check out this very interesting interview with Tim Palen, Chief Marketing Officer for Lionsgate. Tim spoke with RIPPmag's Jaqueline Miro about the marketing for Catching Fire. Palen sounds like a true renaissance man, photographing the marketing campaign HIMSELF and taking a completely hands-on approach to all aspects of the campaign. And yes, he DOES care what you guys think! I love this man. Read on:

By all accounts, Tim Palen is one of the catalysts of Lionsgate’s continuous growth at a critical time when film -- once deemed “spectacle for the masses” -- is becoming increasingly splintered into diverse audiences.

During his eleven-year tenure, Lionsgate Entertainment has experienced both a redefining of its mission, and a recrudescence in its audience. Lionsgate’s films have earned more than 40 Academy Award nominations and 10 Oscar wins, and Palen’s campaigns have received dozens of Key Art awards and other honors. Tim Palen does not feel comfortable claiming ownership of the title auteur, yet he is one of the most hands-on marketing execs in the business, conceptualizing campaigns, writing copy and even taking the photos that are used in the print campaigns for the movies he markets. The decisive moment of whether a movie works or not depends on the skill and intelligence with which all these elements are put together. And where a director has ninety minutes to tell a story, Tim has two and a half minutes max to flirt and seduce an audience.

From RIPPmag:

JM: HOW CHALLENGING WAS IT TO APPEAL TO A WIDE AUDIENCE IN A MOVIE LIKE THE HUNGER GAMES?

Tim Palen: There were a lot of challenges in marketing a beloved book especially knowing that it was the first of four films in a series. The best decision we made was to take our queues from the book – and we consider the words of Suzanne Collins to be our bible in marketing the film. The Hunger Games is a story about a reluctant hero who is forced into a world of violence and how institutionalized violence (i.e. war) changes everyone. One of the biggest  challenges fundamentally was how to handle the notion of kids killing kids. The books do not glorify violence and Katniss is not a killer. Sensationalizing that aspect of the story would be contrary to the core message of the books and we believed that it would be alienating to a huge part of the audience that love the books and that would love the movie.
JM: WHAT WAS THE FIRST CAMPAIGN YOU SHOT? CAN YOU TALK ABOUT A RECENT SHOOT AND HOW YOUR PROCESS WORKS?

Tim Palen: Most recently I shot the campaign for HUNGER GAMES: CATCHING FIRE. Because I also shot the campaign for the first HUNGER GAMES I have gotten to know the talent and there’s a certain level of trust and familiarity that has added a level of magic to the campaigns.

As a general rule, a photographer has a short window of time to connect with an actor and make them feel comfortable and safe and taken care of – most times it’s a matter of hours from the time they show up at the studio for hair/makeup before you have to dive right in. I think that’s one of the advantages of my job – I get to connect with the people I’m working with on a more intimate level than most marketing executives. It’s something I’m grateful for and something I never take for granted.

JM: WHAT ARE THE SPECIFIC QUALIFIERS TO TAKE INTO ACCOUNT WITH YOUR NEXT MARKETING CAMPAIGN…YOU JUST RELEASED THE FIRST TEASER FOR CATCHING FIRE(WHICH GOT OVER 28M VIEWS IN A LITTLE OVER A WEEK) BUT I’M SURE THERE WERE MANY CHALLENGES.

Tim Palen: The launch of the teaser trailer for CATCHING FIRE was a hugely pivotal moment in the ongoing HUNGER GAMES campaign. Because we have a franchise across four films, each piece is just part of the larger puzzle, and this step was even more crucial because we had such great success on the first film. At the same time we have a new director (Francis Lawrence), a new editor, a new cinematographer and a new costume designer. So I really needed this first glimpse of the second film to work hard to reassure the fan base that the characters they know and love are back and that the integrity we showed with the first movie is still intact. But almost equally important for me was to show that the stakes are higher, the drama  will be greater and that CATCHING FIRE will be taking the story of our reluctant hero Katniss Everdeen to a whole other level. I’m grateful that Francis Lawrence has delivered a gigantic movie that has so many rich and amazing pieces for me to play with. He’s really made my job a fun and easy one.

Probably the most satisfying thing I saw after the release of the teaser was a fan comment on one of the blogs that posted the trailer. I tend to be overly obsessive about reading and monitoring real fan reaction to the materials. This one comment did the most to reassure me that we had hit the mark with the new teaser trailer: “Shit’s getting real.” It doesn’t get better than that.

Tim Palen, Lionsgate CMO and all around renaissance man. Photo by Jack Pierson

“Tim is amazing. A true artist. The work he does reflects his impeccable taste and a truly singular point of view that only the strongest and surest of artists could present.”
— Francis Lawrence

 

 

Special thanks to Josholatras for discovering this article and photo! Follow them on twitter @josholatras

 

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